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Plot Outline: After Sam (Anthony Wong) gets in anguish with some triads over a gambling debt, his best friend Jeff (Chow Yun-Fat) has to bail him out. Sam gets word that his cousin Reflect (Simon Yam) wants him and his friends to benefit them pull a job robbing a truck. Once on the job Jeff finds out it was all a trick region up by the triads to raze him. In a turn of betrayal, Sam is forced by his cousin to shoot Jeff. They leave Jeff to die in a burning building, only Jeff makes it out alive. Now he looks for revenge.
The Review: Corpulent Contact is easily the sleaziest, grittiest and downright most rude HK action film I’ve ever seen. Now that I’ve said that, it’s also honest one outright chilly film. Taking what could have been objective an average anecdote of revenge, Ringo Lam injected the film with the style of the 80’s and a healthy dose of brutal violence. The film represents all that was astronomical of the all but wearisome Daring Bloodshed genre. It’s quiet around, but you don’t watch too many films like Bulky Contact anymore.
Don’t misunderstand me, the violence in Beefy Contact, while plentiful, doesn’t quite top the likes of A Better Tomorrow II, but the film is objective a whole lot seedier. The violence in John Woo’s films are usually silly to some point, but here the violence takes dwelling somewhat in reality. The gunplay is actually fairly minimal really. There’s only a couple of gunfights, and excluding the first person bullet effects, they aren’t really all that spectacular. The violence in the film is impartial accentuated by the feel of the film. In one of the more brutal scenes in the film, Anthony Wong’s character shoots a man in the head about seven times, covering the guy in blood. It’s unprejudiced an gruesome image, and made uglier by the scenery and characters. It takes situation in a dingy warehouse and watching his blood splatter all over his hands can almost earn you feel melancholy.
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When I first sat down to search for Chunky Contact I didn’t know great about it and wasn’t expecting powerful. I had read on a message board somewhere in the past that it was supposed to be a mammoth non-Woo HK action film so I decided to give it a chance. Within the first five minutes of watching the film, it makes it’s case strongly, and lets you know exactly what kind of film it’s going to be. Simon Yam’s gang robs what appears to be a jewelry store, in the process he stabs a innocent woman through the chest then proceeds to have her originate the vault. We’re introduced to the rest of his gang too. Mona, the promiscuous and Deano the muscular freak (played by Frankie Chin, best known as the guy who tries to strangle Ricky in Ricky-Oh) . The introduction is so simple, but it’s objective so perfect. It’s hard to set my hand on it, it’s honest the perfect design to begin the film. A kick to the gut for the audience.
If one thing bothered me most about the film the first time I watched it, it was surprisingly enough Chow himself. Not that he gives a terrible performance or anything like that, it’s unbiased his clothing style is unbiased unpleasant. He wears a short sleeve shirt with the sleeves rolled up. Add to that a crew sever and a leather vest over the shirt, and you’ve got one goofy looking chow. The second time I sat through it I unprejudiced took it in as share of the cheesyness of the film. The roaring electric guitar solos, the clothes… it’s all so classic 80’s.
The style, the violence, and the characters are what makes the film. Simon Yam is evil in his role as a flamboyantly joyful sociopath who let’s nothing stand in his device. Chow puts in a gigantic anguish, but it doesn’t really steal remarkable from Chow to please. He could be playing a coma patient and would peaceful ooze ‘cool’ from his pours. When I first watched the film I wasn’t familiar with Anthony Wong, so I didn’t actually ever discover him, but now that I’ve seen Beast Cops I was surprised to earn out that it was he who played Sam. He’s gained a whole lot of weight over the years, but I mediate he’s actually more marvelous with the weight on. In this film, when his character becomes a tough guy it’s kind of hard to acquire serious, but with some weight on him Wong comes off a bit more intimidating. As far as acting goes, those are the central characters. Everyone else puts in decent enough performances even though the girls unbiased seem to be there for survey candy. Nice perceive candy, but study candy fair the same.
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To wrap things up, Burly Contact stands out as one of the best Plucky Bloodshed films made not by John Woo. That actually sounds a petite harsh, I don’t compare the film to Woo’s work, but it’s unprejudiced unavoidable. Anyway, I’ve debated with myself whether to give it a four or a five for a while now, and I’ve near to the conclusion that it’s getting the Stubbing Award. Distinct, it doesn’t add a whole lot more to the genre, but it delivers what is one of the funnest rides the genre has ever produced. Tubby Contact is a classic, not to be missed by HK film fans, or gritty gangster film fans for that matter.
After Tsui Hark and John Woo, Ringo Lam is probably one of the greatest HK directors. Some innovative POV shots earn this a must observe. Station is predictable but it has some tall lines.
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If you like HK action, this is worth owning.
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